| 【類別】 | 【參考資料】 |
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收藏著錄
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祕殿珠林續編（乾清宮），頁230
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故宮書畫錄（卷八），第四冊，頁57
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故宮書畫圖錄，第二冊，頁31-32
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內容簡介（中文）
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唐顏真卿撰〈麻姑仙壇記〉前半引六朝葛洪《神仙傳》，敘述女仙麻姑受仙人王遠邀至蔡經家，且以米擲地即成丹砂的神異故事，後半記麻姑得道之地撫州南城縣麻姑山仙壇之事。
畫中麻姑作妙齡女郎，且手指異常修長，應如《神仙傳》記「十八、九許，頂中作髻，餘髮散垂」且「手似鳥爪」。身後花籃置葫蘆、靈芝、花卉等，可知麻姑形象已與福壽祥意結合。(20091016)
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內容簡介（英文）
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The first part of Yan Zhenqing’s “Record on the Altar of the Immortal Magu” quotes Ge Hong’s (283-343) “Biographies of Deities and Immortals,” telling how the immortal Wang Yuan invited Magu (“Hemp Maiden”) to Cai Jing’s home, where she changed rice into pills of immortality. The latter records the Altar’s location where she achieved the Dao (Fuzhou, Nancheng County). Here Magu has long fingernails, as in Ge’s description of her as “18 or 19. Her hair was tied up, some strands falling about” and with “hands as if bird claws.” Her basket has a gourd, spirit fungus, and flowers, associating her with fortune, longevity, and auspiciousness. The style reveals an early Qing (1644-1911) date, so the earlier Yuan and Ming collector seals are most likely fake.(20091016)
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