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收藏著錄
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石渠寶笈初編（重華宮），下冊，頁736
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收藏著錄
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故宮書畫錄（卷六），第四冊，頁258
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收藏著錄
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故宮書畫圖錄，第二十八冊，頁348-355
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參考書目
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劉芳如，〈歷代畫幅集冊 冊 無款乳鴨〉，收入《來禽圖—翎毛與花果的和諧奏鳴》（臺北：國立故宮博物院，2019.01），頁134-137。
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參考書目
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何傳馨，〈歷代畫幅集冊 冊 無款乳鴨〉，收入《文藝紹興-南宋藝術與文化‧書畫卷》（臺北：國立故宮博物院，2010.10），頁242、373。
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參考書目
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1.譚怡令，〈宋人乳鴨〉，收入國立故宮博物院編，《宋代書畫冊頁名品特展》（臺北：國立故宮博物院，1995年初版一刷），頁295-296。
2.譚怡令，〈宋人乳鴨〉，收入譚怡令編，《畫裡珍禽》（臺北：國立故宮博物院，1988年十月初版），頁85。
3.譚怡令，〈「七十件書畫冊頁名品特展」精選(五) — 宋人乳鴨〉，《故宮文物月刊》，第150期（1995年9月），頁114。
4.邱士華，〈乳鴨〉，收入何傳馨主編，《文藝紹興：南宋藝術與文化‧書畫卷》（臺北：國立故宮博物院，2010年十月初版一刷），頁373。
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內容簡介（中文）
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本幅畫路邊車前草兩株，刀茅一叢，一乳鴨凝立於前，為「歷代畫幅集冊」第七幅，近南宋院畫纖細的風味。通幅設色雅淡，繪製工細，鴨絨絲絲可見，如能觸摸。小鴨原為家禽類，並非珍禽之屬，經由畫家以妙筆表現出其天真可愛的生命感，方能成此傳世不朽之作。
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內容簡介（中文）
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此圖以淡墨暈染背景，留下帶著鋸齒邊緣的乳鴨輪廓，不作輪廓線的描繪，再以白粉、赭墨剔出細毛，營造鴨絨的膨鬆感，並隨著各部位調整顏色深淺，帶出鴨絨的光澤感。小鴨子打開的雙足則另以細墨線勾描，蹼的部分交叉成菱形紋，創造出不同於羽絨的質地。該作對圖案化的表現頗具興趣，相對較不重視對物像結構與空間感的塑造，但無損其表現乳鴨可愛稚拙之感，應可視為南宋後期的作品。(20101015)
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內容簡介（英文）
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The background of this work has been rendered with washes of light ink, leaving the saw-tooth edges of the duckling’s outlines. Without any outlines done in ink lines, white and ochre ink were added to bring out the fine feathers, creating a sense of fluffiness for the duck’s down. In addition, the color tones were adjusted in various parts, bringing out the luster of duck down. The legs of the duckling, on the other hand, were rendered with fine lines of ink, the webbed part of the feet intersecting to form rhomboidal patterns and creating a feeling different from that of the down.
The artist apparently was quite interested in the expression of patterning and showed relatively less interest in the structure and sense of space for the forms. Nonetheless, these take nothing away from the adorable youth of this duckling, suggesting this work may date from the latter part of the Southern Song.(20101015)
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內容簡介（英文）
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In this seemingly simple composition, the artist has depicted a tiny duckling looking out from the side of the path bearing a few clumps of weeds and grass. This, the seventh leaf from the album Li-tai hua-fu chi-ts'e, follows the style of a fine Southern Sung academic painting. The coloring throughout is elegant and light, and the rendering of the duckling is so delicate that every feather of its downy coat seems clearly delineated and soft to the touch. Even though the artist's subject is a common domestic animal, he has still artfully conveyed the duckling's natural charm and liveliness.
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