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收藏著錄
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石渠寶笈初編（重華宮），下冊，頁736
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收藏著錄
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故宮書畫錄（卷六），第四冊，頁258
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收藏著錄
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故宮書畫圖錄，第二十八冊，頁340-347
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參考書目
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1.許郭璜，〈許道寧松下曳杖〉，收入國立故宮博物院編，《宋代書畫冊頁名品特展》（臺北：國立故宮博物院，1995年初版一刷），頁272-273。
2.許郭璜，〈「七十件書畫冊頁名品特展」精選(二) — 許道寧松下曳杖〉，《故宮文物月刊》，第147期（1995年6月），頁84-85。
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參考書目
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何炎泉，〈歷代名繪 冊 宋許道寧松下曳杖〉，收入劉芳如主編《華夏藝術中的自然觀-唐獎故宮文物選萃特展》（臺北：國立故宮博物院，2016.09），頁240-243。
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參考書目
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許文美，〈歷代名繪 冊 宋許道寧松下曳杖〉，收入許文美主編《無聲詩-南宋的小品繪畫》（臺北：國立故宮博物院，2021.12），頁94-97、172。
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內容簡介（中文）
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湖濱之畔，蒼松翠竹，盤紆成陰，松下逸士自小徑出，持杖凝神，傾聽松籟竹韻。江渚野趣，清朗怡人。本幅結構嚴密，景物偏幅右邊，全圖描寫著重一風字。幅內之松、竹、草、枯枝、士人衣褶帽帶皆因風勢順成一向，雙鉤墨筆點畫松竹人物，描繪甚為靈動。本幅舊籤題為許道寧，然依畫松竹人物等作風則與劉松年較近，可能為南宋後期受劉氏影響的作品。本幅為「歷代名繪」冊第八幅。
許道寧（約西元11世紀），河北河間人。初市藥於都門，好描繪街坊各色人物。後遊太華山，轉好寫山水。
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內容簡介（英文）
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Following the shore of a lake, a path is shaded by a crises-crossing group of verdant pine and emerald bamboo. A scholar appears under the pine emerging from the path . He carries a staff listening attentively to the wind blowing through the pines and bamboo. This scenery of shores and water imbues a refreshing and relaxing feeling. The objects are tightly packed into the right side of the composition. The technique of outlining the forms of the pines, bamboo, and figure with ink is very animated.
This is the eighth leaf from the album Li-tai ming-hui. The old label for this painting attributes it to Hsu Tao-ning, but the style of rendering the pines, bamboo, and figure compare closer to that of Liu Sung-ning(1180-1225). It may be a late southern Sung work which was influenced by Liu’s style. Hsu Tao-ning was a native of Ho-chien in Hopei who originally sold medicinal herbs in the streets of the capital, becoming quite capable at painting all sorts of figures. Later, he traveled to Mt.Hua, becoming a specialist in landscape painting.
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