| 【類別】 | 【參考資料】 |
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收藏著錄
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石渠寶笈三編（延春閣），第五冊，頁2499
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收藏著錄
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故宮書畫錄（卷六），第四冊，頁185
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收藏著錄
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故宮書畫圖錄，第二十九冊，頁192-197
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參考書目
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1.馬孟晶，〈名畫集真 冊 五代李贊華射騎圖〉，收入林柏亭主編，《大觀-北宋書畫特展》（臺北：國立故宮博物院，2006年初版一刷），頁270-275。
2.林柏亭、張華芝，〈五代後唐李贊華射騎圖〉，收入林柏亭、張華芝編，《畫馬名品特展圖錄》（臺北：國立故宮博物院，1990年元月初版），頁82-83。
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內容簡介（中文）
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本幅無款，歷來傳稱為遼李贊華的作品。他是契丹皇族出身，以繪契丹的貴族與鞍馬而聞名。畫中線條除具備描繪實物的功能外，優雅微妙的粗細變化更營造出韻律感，從構圖單純、突出筆墨、以及表現人物之個別性的特徵上，都更接近於李公麟的風格。本幅作品呈現的雖可能是契丹人馬，卻絕非出自十世紀初的李贊華之手，其成畫年代應不早於李公麟所在的北宋晚期，且曾經過漢族繪畫傳統的浸染。(20061206)
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內容簡介（中文）
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李贊華，本契丹人。遼太祖長子，名突欲。後唐長興二年（九三一）投奔中國，明宗賜姓李，名贊華。善繪其本國之人物鞍馬。
本幅繪武士腰弓手箭，立於馬前，郭若虛圖畫見聞志嘗云：「多寫貴人酋長，胡服鞍勒。率皆珍華，然馬尚豐肥，筆乏壯氣。」蓋唐朝之後用筆有趨於細勁之傾向。
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內容簡介（英文）
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A warrior armed with bow and arrows stands before his mount. The critic Kuo Jo-hsu (fl. 11th century) in his Record of Observances in the Realm of Painting once said of Li Tsan-hua that "he mostly depicts nobles and chieftains in the attire and appointments of the people of the North. In most respects his works are exquisite, but his horses tend to be paunchy and his brushwork lacks strength." The latter comment points to the post-T'ang tendency toward a refined, delicate style.
Li Tsan-hua, a Khitan, was the eldest son of the founder of the Liao dynasty (907-959). Originally named T'u-yu, he fled south to China in 931 and was given the name Li Tsan-hua by the emperor Ming-tsung (r. 925-933) of the Later T'ang. Li excelled at depicting the people and horses of his native land.
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內容簡介（英文）
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This unsigned painting was traditionally attributed in the past as by Li Tsan-hua of the Liao dynasty. A member of the Khitan imperial clan, he achieved fame in painting Khitan nobility and saddled horses. The lines in this painting, in addition to having the function of description, also elegantly and delicately vary between fine and coarse to create an aesthetic sense of rhythm. The simple composition, outstanding use of brush and ink, and individualistic representation of the figures all appear to be close to the style of the Northern Sung artist Li Kung-lin. The subject of the painting, even though it may be a Khitan on horseback, almost certainly does not come from the hand of the early 10th century artist Li Tsan-hua. In fact, the dating of the painting is probably not earlier than Li Kung-lin of the late Northern Sung, and it also reflects the influence of Chinese painting traditions.(20061206)
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