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收藏著錄
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石渠寶笈續編（重華宮），第三冊，頁1493-1496
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收藏著錄
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故宮書畫錄（卷四），第二冊，頁4-8
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收藏著錄
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故宮書畫圖錄，第十五冊，頁39-48
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參考書目
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1.〈唐盧鴻草堂十志圖〉，收入國立故宮博物院編輯委員會編，《園林名畫特展圖錄》（臺北：國立故宮博物院，1987年十月初版），頁69。
2.〈五代楊凝式唐盧鴻堂十志圖卷跋〉，收入國立故宮博物院編輯委員會編，《名寶上珍》（臺北：國立故宮博物院，1995年初版一刷），頁174。
3.黃緯中，〈談楊凝式草堂十志跋〉，《故宮文物月刊》，第56期（1987年11月），頁124-127。
4.黃緯中，《楊凝式研究》，中國文化學院藝術研究所碩士論文，1987年。
5.吳剛毅，《盧鴻及其畫蹟偽訛源流考鑒》，國立師範大學美術研究所碩士論文，1997年。
6.陳怡君，《文徵明的兩件拙政園園林山水畫研究》，國立臺南藝術學院藝術史與藝術評論研究所碩士論文，2007年。
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參考書目
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邱士華，〈唐盧鴻草堂十志圖 卷〉，收入劉芳如主編《遺珠-大阪市立美術館珍藏書畫》（臺北：國立故宮博物院，2021.08），頁114-119、277。
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內容簡介（中文）
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全卷水墨畫十景，每景自成一段，每段前有褚、顏、柳等書寫之〈草堂十志〉詞，與十景相間。所繪皆為自然園林景致，其配置乃注重與周圍自然環境相結合，樹石造型古拙，用筆方硬，水墨渲染頗工。此作無名款，舊傳為盧鴻之作。學界對此幅的斷代，雖無定論，然時代應非為唐。
盧鴻（約活動於7－8世紀），河北人。博學善書，亦能畫。玄宗時，屢徵仍不仕，賜隱居服、草堂一所。
(20110913)
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內容簡介（中文）
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盧鴻（約活動於西元七世紀—八世紀間），字顥然，幽州范陽人（今河北大興）。隱居嵩山，博學善書，亦能畫。玄宗時，屢徵仍不仕，賜隱居服，草堂一所。全卷水墨畫共十景，每景自成一段，每段前有褚、顏、柳等各體書法所寫之十志詞，與十景相間。所繪皆為自然園林景緻，其配置乃注重與周圍自然環境相結合，畫樹石造型，貌似古拙，用筆方硬，水墨渲染頗工。學界對此幅斷代之說法不一，尚無定論，然時代非為唐則是可肯定。
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內容簡介（英文）
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Lu Hung (style name Hao-jan) was a native of Yu-chou (modern Ta-hsing, Ho-pei). Living as a recluse at Mt. Sung, he was a scholar as well as a calligrapher and painter. Several times during the reign of Emperor Ming-huang (r. 712-756), Lu was offered official positions, but declined them. Instead, he was awarded the clothes of a hermit and a thatched cottage. This handscroll contains ten scenes composed of individual paintings preceded by poems done in the style of such calligraphers as Ch'u Sui-liang (596-658), Yen Chen-ch'ing (708-784), and Liu Kung-ch'uan (778-865). The scenes depicted are all natural gardens and forests. In arranging compositions, Lu paid particular attention to the unity of the natural environment. His trees and rocks appear archaic, and his brushwork is angular and rigid. The use of ink is rather meticulous. Scholars, however, are divided on the date of this scroll. Nonetheless, it appears to not date from the T'ang.
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內容簡介（英文）
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This handscroll in monochrome ink contains ten scenes composed of individual paintings with each preceded by poems on “Ten Views from a Thatched Hut” done in the style of such calligraphers as Chu Suiliang, Yan Zhenqing, and Liu Gongquan. The scenes depicted are all of natural gardens. In arranging the compositions, particular attention was paid to unity with the natural environment. The forms of trees and rocks appear archaic in manner, and the brushwork is angular and rigid. The use of ink is also rather meticulous. This work bears no signature of the artist, but the old attribution is to Lu Hong of the Tang dynasty. Scholars, however, are divided about the date of this scroll. Although there is no consensus yet, it appears to not date from the Tang.
Lu Hong, a native of Hebei, was widely learned and excelled at calligraphy, also being gifted at painting. Several times Lu was offered official positions during the reign of Emperor Xuanzong but declined. Instead, he was awarded the clothes of a hermit and a thatched hut.
(20110913)
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