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收藏著錄
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石渠寶笈三編（延春閣），第三冊，頁1355-1356
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收藏著錄
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故宮書畫錄（卷五），第三冊，頁3-4
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收藏著錄
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故宮書畫圖錄，第一冊，頁13-14
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參考書目
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1.王耀庭，〈唐李昭道春山行旅圖〉，收入王耀庭編，《青綠山水畫特展圖錄》（臺北：國立故宮博物院，1995年七月初版一刷），頁75。
2.何傳馨，〈(原題唐李昭道)春山行旅圖〉，收入李玉珉主編，《古色：十六至十八世紀藝術的仿古風》（臺北：國立故宮博物院，2003年初版），頁239。
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參考書目
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林麗江，〈唐李昭道春山行旅圖 軸〉，收入林麗江、何炎泉主編《寫盡繁華-晚明文化人王世貞與他的志業》（臺北：國立故宮博物院，2022.10），頁92-93。
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內容簡介（中文）
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畫雖名〈春山行旅圖〉，實際描繪唐玄宗避安史之亂，逃往四川之歷史事件。右方縱谷一人馬隊伍由山頂下至谷地，小橋前騎馬人物即為唐明皇。全幅雲氣繚繞、山勢崢嶸、山徑迴轉，並強調懸空搭建的棧道，採世傳〈明皇幸蜀圖〉構圖模式。青綠設色，細勁線條勾勒山石，承襲唐代李昭道青綠山水風格。畫上仿宋徽宗題字、「內府圖書」及「御前之印」半印皆偽；畫當成於十七世紀。(20091016)
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內容簡介（中文）
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李昭道（活動於西元七一三—七四一年前後），李思訓之子，官至太原府倉曹，直集賢院。畫山水能發揚家學，與父齊名，號小李將軍。作品構圖繁巧，雲水樹山，喜用細筆勻線勾畫出形廓，然後染赭石、石青、石綠重色。甚或於其上加添泥金勾勒，特有富麗堂皇之感。後世學習其畫法者極多，本幅即為一例，若以風格論之，或為清初之作。
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內容簡介（英文）
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Li Chao-tao was the son of the painter and general, Li Ssu-hsun, and he served as Commissioner for Provisions of T'ai-yuan and in the Chi-hsien Hall. His landscape paintings followed in the family tradition and equaled those of his father, earning him the nickname "Little General Li." The compositions of his paintings are tightly-knit and skillful. When painting clouds, rivers, trees, or rocks, he first drew outlines with fine brushwork and then added umber, malachite green, and azurite blue as the principal colors. Sometimes he would even add highlights in gold to give his works a bright, luminous feeling. Li Chao-tao's painting style attracted many later followers, including the artist of this work. Judging from the style, it may date to as late as the Ch’ing dynasty (1644-1911).
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內容簡介（英文）
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Despite the title, this work actually portrays the Tang emperor Xuanzong’s (685-762) escape to Sichuan in the An Lushan Rebellion. To the right figures and horses descend from the peaks to the valley, while the man before a small bridge is probably the emperor. Clouds coil, peaks rise, and mountain paths wind, emphasizing precarious plank paths using the composition of “Emperor Minghuang’s Flight to Sichuan” as a model. The archaic blue-and-green colors feature fine yet strong lines to delineate the land, following in the “blue-and-green” landscape style of Li Zhaodao. At the top is an imitation inscription by Song Huizong and fake imperial half seals of his (Neifu tushu and Yuqian zhiyin). This work appears to have been done in the 17th century.(20091016)
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