【類別】 | 【參考資料】 |
收藏著錄
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故宮書畫錄(卷七),第四冊,頁20
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參考書目
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〈宋理宗坐像 軸〉,收入林莉娜主編《南薰殿歷代帝后圖像(上)》(臺北:國立故宮博物院,2020.12),頁172-175。
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參考書目
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何傳馨,〈宋理宗坐像 軸〉,收入《文藝紹興-南宋藝術與文化‧書畫卷》(臺北:國立故宮博物院,2010.10),頁72-73、337-338。
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參考書目
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1.劉芳如,〈宋理宗坐像〉,收入何傳馨主編,《文藝紹興:南宋藝術與文化‧書畫卷》(臺北:國立故宮博物院,2010年十月初版一刷),頁337-338。
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內容簡介(中文)
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理宗趙昀(1205-1264)是太祖的第十世孫,在位共四十年(1225-1264)。期間對程朱理學至為推崇,堪稱是南宋將理學推向官學化最為重要的一位君主。逝後廟號亦定為理宗,可謂實至名歸。
本幅中,理宗的面相豐碩,膚色稍黯,目光銳利,眼角明顯上揚。院藏馬麟〈伏羲像〉與〈靜聽松風〉二軸裡的人物,相貌亦皆與理宗相彷彿。故有學者以為,這是畫家刻意將理宗神格化,據以合理化他繼承道統的正統性。(20101015)
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內容簡介(英文)
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Emperor Lizong (Zhao Yun; 1205-1264) was the tenth-generation grandson of the dynastic founder, Emperor Taizu, and on the throne for a total of forty years (1225-1264). During that period, he promoted the Neo-Confucian idealist philosophy of the Cheng brothers and later Zhu Xi, making him the most important ruler in the canonization of Neo-Confucianism in the Southern Song. After his death, he was given the temple name Lizong (“Idealist Ancestor”), which would be quite fitting.
In this portrait, Emperor Lizong appears with a full face, his skin slightly dark. He stares out with visual acuity, his eyes slanted at an obvious angle. In fact, the faces of figures in both Ma Lin’s “Portrait of Fuxi and “Quietly Listening to Soughing Pines” are similar to the countenance of the emperor here. Thus, there is some scholarly opinion that the painter intentionally deified the emperor, rationalizing his succession to the lineage of Confucian orthodoxy.(20101015)
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