| 【類別】 | 【參考資料】 |
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收藏著錄
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石渠寶笈初編（御書房），下冊，頁1119
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收藏著錄
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故宮書畫錄（卷五），第三冊，頁306-307
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收藏著錄
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故宮書畫圖錄，第六冊，頁145-146
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參考書目
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1.胡賽蘭，〈巨幅名畫特展〉，《故宮文物月刊》，第118期（1993年1月），頁46。
2.吳誦芬，〈宣德宸翰－允文允武的藝術天子明宣宗書畫作品〉，《故宮文物月刊》，第349期（2012年4月），頁50-59。
3.吳誦芬；〈明宣宗戲猿圖軸介紹〉，《故宮文物月刊》，第351期（2012年6月份），頁106-113。
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內容簡介（中文）
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宣宗（西元一三九九─一四三五年）姓朱，名瞻基。明成祖長孫，明代第五位皇帝，年號宣德。宣宗雅尚詞翰繪事，於書畫之作，隨意自然，往往與宣和爭勝。「三陽開泰」淺設色畫三羊，配以竹與茶花為襯景。竹諧音「祝」，「三陽開泰」詞意源於﹝易經﹞。正月為泰卦，三陽生於下，取其冬去春來，陰消陽長，有吉亨之象，多用作歲首稱頌之辭。
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內容簡介（英文）
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Prosperity for the New Year Emperor Hsuan-tsung (1399-1435) Ming Dynasty Emperor Hsuan-tsung, whose personal name was Chu Chan-chi, was the grandson of Emperor Ch’eng-tzu (r.1403-1424). The fifth emperor of the Ming dynasty, he ruled from 1425 to 1435 under the reign name Hsuan-te. He enjoyed writing poems and painting, and he was able to produce free and natural works. He can thus be compared to Emperor Hui-tsung (r.1101- 1125), the famous Northern Sung emperor who was a renowned artist and calligrapher. Three goats, an auspicious symbol, are depicted in light colors among a background of bamboo and camellias. The title of this painting derives from the Book of Changes. The trigram for the first month of the lunar year is composed of yin and yang elements. The arrangement of these elements, however, is such that yang eclipses yin and signifies the end of winter and the beginning of spring. Because the character for goat is yang, this is an auspicious symbol of ten used at the beginning of a new year. Bamboo implies “wishing,” since it is a homophone for chu which means to express good wishes.
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網頁展示說明
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明宣宗（西元一三九九－一四三五年）朱瞻基，書畫之作隨意自然，往往與宋徽宗（西元一０八二－一一三五年）爭勝。本幅作於宣德四年（西元一四二九年），淺設色畫子母山羊一大二小，襯以竹、石、茶花，以諧音取「三陽開泰」之意。「三陽開泰」典出﹝易經﹞六十四卦的第十一卦「地天泰」，卦象乾下坤上，以寓天地上下交通同泰。十二個月中以泰卦居於正月，取其冬去春來，陰消陽長的吉亨之象。(20120407)
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網頁展示說明
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Emperor Xuanzong (personal name Zhu Zhanji) was able to produce free and natural works of painting and calligraphy, resulting in him often being compared to Huizong (1082-1135), the Northern Song emperor most renowned in Chinese history as an artist. In this ink painting with light colors from the fourth year of Xuanzong's reign (1429) are a ewe and two lambs with a background of bamboo, rocks, and camellias. The subject of three goats is a homophone for "Three Yang, an Auspicious Start to the New Year." This title comes from the Book of Changes, which consists of 64 hexagram (six-line) combinations of trigrams (three-line symbols). The eleventh hexagram translates literally as "Earth (and) Heavens (at) Peace" and is represented by the symbol . With the three lines of qian (yang) below and three of kun (yin) above unified and harmoniously connected, it symbolizes peace throughout the heavens and earth. Of the twelve lunar months, the first is when peace takes up residence, marking the end of winter and the beginning of spring when yin is eclipsed by yang, indicating an auspicious sign.(20120407)
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網頁展示說明
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明宣德帝（1399－1435）、朱瞻基。その書畫はごく自然な作風で、宋徽宗帝（1082－1135）と比較されることが多い。本作は宣德4年（1429）のもので、淡い色彩で母ヤギと小ヤギ2頭が描かれており、竹や岩石、椿が添えられている。この作品には、語呂合わせで「三陽開泰」という吉祥の意が込められている。「三陽開泰」は易経六十四卦の第十一卦「地天泰」から取られている。この卦象乾下坤上は天地上下が深く交わる世の安泰を意味している。十二ヶ月の中で泰卦は正月にあたり、冬の終わりと春の訪れを表しており、陰が消え陽が生じ諸事順調に運ぶ吉象を示している。(20120407)
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