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收藏著錄
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石渠寶笈三編（延春閣），第三冊，頁1480
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收藏著錄
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故宮書畫錄（卷五），第三冊，頁77-78
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收藏著錄
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故宮書畫圖錄，第二冊，頁55-56
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參考書目
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1.李玉珉，〈風雨歸牧〉，收入林柏亭主編，《國寶菁華 — 書畫‧圖書文獻篇》（臺北：國立故宮博物院，2006年12月），頁203。
2.李玉珉，〈帝國的回憶 國立故宮博物院瑰寶赴法展專輯一 — 李迪風雨歸牧〉，《故宮文物月刊》，第185期（1998年8月），頁38-39。
3.童文娥，〈風雨歸牧〉，收入何傳馨主編，《文藝紹興：南宋藝術與文化‧書畫卷》（臺北：國立故宮博物院，2010年十月初版一刷），頁389-390。
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參考書目
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何傳馨，〈宋李迪風雨歸牧 軸〉，收入《文藝紹興-南宋藝術與文化‧書畫卷》（臺北：國立故宮博物院，2010.10），頁297、389-390。
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內容簡介（中文）
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李迪，生卒年不詳。錢塘（今浙江杭州）人，為南宋孝、光、寧宗（1162－1224）畫院畫家，曾任祗侯。擅花鳥、竹石、走獸，畫風寫實清新。
畫蘆岸柳堤，兩個牧童遇雨趕牛返家的情景，牛隻與人物的動態相互呼應，富戲劇張力。用淡墨暈染，在畫面上罩了一層迷濛的煙霧，表現風雨的晦暗陰沈。以中鋒為主，葉細如針，濃淡相間，繁而不亂；牛腹以墨渲染，再絲出牛毛硬挺尖細的質感，具南宋典型風格。(20101015)
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內容簡介（英文）
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The birth and death dates of Li Di (native to Qiantang [modern Hangzhou, Zhejiang]) are unknown, but he was an artist at the Painting Academy under Emperors Xiaozong, Guangzong, and Ningzong, having once served as an Attendant (zhihou). He specialized in bird-and-flower, bamboo-and-rock, and animal subjects, his style of painting realistic and fresh.
In this painting by a willow bank with reeds, two oxherd boys have encountered a rainstorm and prod their oxen to return home. Oxen and figures interact in a tense and dramatic scene. Washes of light ink envelop the painting in a layer of hazy mist to suggest the darkness brought by rain clouds. Using mostly a centered brush, the artist rendered the leaves as fine as needles, alternating between light and dark for a complex yet orderly arrangement. The bellies of the oxen were washed in ink and then a very fine stiff brush applied to render the hairs as delicate as silk. This is a typical Southern Song style of painting.(20101015)
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