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收藏著錄
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石渠寶笈初編（御書房），下冊，頁1048
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收藏著錄
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故宮書畫錄（卷四），第二冊，頁109
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收藏著錄
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故宮書畫圖錄，第十七冊，頁103-106
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參考書目
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1.朱惠良，〈明俞宗大題元趙孟頫古木散馬〉，收入《雲間書派特展圖錄》（臺北：國立故宮博物院，1994年初版），頁140。
2.朱惠良，〈雲間書派特展簡介 — 俞宗大題趙孟頫古木散馬卷引首〉，《故宮文物月刊》，第139期（1994年10月），頁88。
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內容簡介（中文）
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趙孟頫（西元一二五四—一三二二年），字子昂，號松雪道人。宋太祖十一世孫，居吳興。仕元，官至翰林學士承旨，封魏國公。善山水、人物、花卉、翎毛、蘭竹，為文人畫壇之領袖。亦善畫馬，師韓幹、李公麟。 原野秋深，古木下散馬兩匹，無鞍韉之累，狀極幽閒自適。全幅以白描法為之，用筆古勁秀逸，流暢而有力，造景新奇蕭疏，具文人畫氣息。
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內容簡介（英文）
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Chao Meng-fu was an 11th generation grandson of the Sung dynasty founder, but he also served the Yuan Mongol rulers as a scholar-official. Excelling at many genres of painting, he was a leader in painting and calligraphy. Gifted at depicting horses, he studied the styles of Han Kan (ca. 715-after 781) and Li Kung-lin (1049-1106). Two horses appear under old trees in deep autumn wilds. Unbridled, they roam in utmost freedom. This work, done in the monochrome "plain-line" (pai-miao) manner, features archaic and elegant brushwork that is fluid yet powerful. The scene is refreshing and spacious, completely in the style of the scholar-official.
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